Building a Character in a Monologue

Whether it is still possible to create six female characters from a monologue written for men. This is a challenge and we addressed this challenge when we made Mark Ravenhills products. When applying practitioners like Bertolt Brecht and Konstantin Stanislavski, I will discuss further on how to accomplish this work. My greatest concern when I began creating text was that it was obvious in the early stages of the rehearsal process as we were challenging to create persuasive and realistic characters is. A monologue is a monologue but it's not a side: a monologue is a speech, one role can solve other characters and audiences, or a spontaneous speech, next to the character's comment on the audience (usually an emergency Although short), the character may be talking with him or herself in the play. Shakespeare's monologue includes his most primitive and powerful sentences. In his greatest tragedy, he was exploring ways how some people are struggling under pressure on personal thoughts. In the monologue (if tweet) When I finish ... Macbeth uncover the fear of cursing his image unconsciously. This is part of it; he actually has various ideas. But he was not aware that he hindered killing his king: simply say this is the wrong fact The inner monologue is the record of the inner idea of ​​the character. The inner monologue is similar to a monologue because it depicts the inner thoughts and feelings of the character, but unlike a monologue, the inner monologue does not mean acting. Even more frankly, even if the monologue reveals the idea of ​​the character, it is also a speech act. We must say that a monologue becomes a monologue, and basically a defined inner monologue never is told: it is a record of the character's idea.